“The Affect of Timbre in Japanese Music Theory.”
Invited Presentation, Symposium, Translating the Field, University of Texas Austin. Austin, TX
“Transferring Bronze Sound: Adapting Chinese Instrumental Music on the Four-Octave Carillon.”
Invited Presentation, Symposium hosted by the Guild of Carillonneurs in North America. Online
"Timbre and Music Theory"
Guest lecture, MUSIC 161: Introduction to Music Theory, Durham, NC
“Teaching at Liberal Arts College”
Guest lecture, MUSICOL 760: Musicology Colloquium. University of Michigan. Ann Arbor, MI
“Gender, Agency, Singer Songwriters, and Citypop.”
Guest lecture, MUS141: World Musics, Davidson College, Davidson, NC
“Vocal Timbre in Japanese Popular Music.”
Guest lecture,BUS 499: Business of Japanese Culture. University of Michigan—Flint. Flint, MI
“Emotional Responses to Music and its Underlying Mechanisms.”
Guest lecture, MUS4113: Analytical Techniques, John Brown University, Siloam Springs, AR
“Learner-Centered Teaching in Liberal Arts Core Music Theory Classroom.”
Presentation, 2026 Pedagogy into Practice Conference. University of British Columbia, Vancouver, Canada
“Sonic Misogyny and Resistance: Gender-based Violence and Girlhood in J-pop.”
Presentation, Joint Annual Meeting of American Musicological Society and Society for Music Theory, Minneapolis, MN.
"Fiery Voices, Cool Sound: Vocal Types in J-pop."
Presentation, Annual Meeting of Scoeity for Music Theory, Jacksonville, FL.
"The Crisis of Voice in Josei Rock: Recent Japanese Rock Performance in North America.”
Presentation, Biennial Meeting of International Association for the Study of Popular Music, University of Minnesota, MN
“Theorizing Vocal Timbre in J-Pop: A Feminist Reading.”
Presentation, Joint Annual Meeting of Society for Music Theory, with American Musicological Society and Society for Ethnomusicology, New Orleans, LA
Presentation, Music Theory Midwest, Lawrence, KS
*Recipient of Arthur J. Komar Award for outstanding student presentations
“Multi-Sensational Embodied Concert Experience: Sheena Ringo’s Resistance in Ringo Expo’14.”
Presentation, Annual Meeting of Society for Ethnomusicology, Atlanta, GA
"Do Lyrics Affect Emotional Perception in Musicians Differently? A Conceptual Replication."
Poster, 61st Annual Meeting of Psychonomic Society (co-authored with David J Baker, Katherine M Vukovics,
Connor Davis, and Emily Elliott)
“Emergent Formal Functions and Indistinct Edges of Sonata Movements in Schubert’s Beethoven Project.”
Presentation, Annual Meeting of South-Central Society for Music Theory, Nashville, TN